With a make shift studio and some budget continuous lighting you can pull off something pretty decent. These were the first set of shots I took for Giancarlo Arcieri after watching build this violin from the start to finish which in itself was a great experience to watch and getting the document it made it all that much better.
We were having some fun making the violin levitate for the camera.
This was the last Violin I photographed before Giancarlo Arcieri moved away from New York City for warmer weather. I really miss the random conversations we would have while I sat there and watched him work.